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Ryan Reynolds brings his nice-guy charisma to the role of a video game character who doesn’t want to stay on the sidelines.
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‘Free Guy’ | Anatomy of a Scene
The director Shawn Levy narrates a sequence from the film, starring Ryan Reynolds.
Hi this is Shawn Levy. I’m the director and one of the producers of “Free Guy.” So this scene is kind of a turning point for the protagonist named Guy— played by Ryan Reynolds— who is a innocent bank teller who slowly becomes aware that he is a background character inside a video game. And in this fictional video game, entitled Free City, we differentiate between NPCs, otherwise known as non-player characters, versus players, who are people in the real world who come in and play the game and are identified by their sunglasses. The sunglasses give players a heads up display of the power-ups, and weaponry, and hidden treasures within this video game city. So there were a few different layers of aesthetic design in approaching “Free Guy.” The main one and the first one was really rigorous differentiation between the video game world and the real world. So everything in the video game world is shot on a large format camera with spherical lenses, tremendous depth of field, and clean composition. “Excuse me. Do you see this?” I wanted all of it to be additive layers of saturation and overwhelming visual spectacle. I wanted this sequence, frankly, to be a little bit overwhelming to the audience, like there’s too much to take in. Because that’s exactly what Ryan’s character, Guy, is experiencing. As I was preparing for the movie, I played a lot of video games. What I started to see in the video games that I was playing and watching for research is a very specific camera movement style. It was almost robotic in its speed and fluidity. So we designed a move that required a robotic arm. And we programmed the move to move around the character of Guy as he sees all the things he sees through these glasses. “Ohhhhh, what is happening?”
By Maya Phillips
- Free Guy
- Directed by Shawn Levy
- Action, Comedy, Sci-Fi
- PG-13
- 1h 55m
One day you’re just heading to your job at the bank, preparing for its daily spate of robberies, and the next you find out that you’re a side character in a video game. Tough break.
That’s the scenario in which Guy (Ryan Reynolds) finds himself in the perky though predictable new adventure-comedy “Free Guy,” directed by Shawn Levy. Guy is comfortable with his monotonous life in the game Free City until he meets a player named Millie (Jodie Comer), a coder who is looking for proof that Antwan (Taika Waititi), the money-hungry mogul behind the game’s virtual world, stole her code. With help from her friend and partner Keys (Joe Keery), Millie attempts a code heist with a leveled-up Guy, who has become a viral hero in the gamersphere.
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![‘Free Guy’ Review: Don’t Hate the Player (Published 2021) (2) ‘Free Guy’ Review: Don’t Hate the Player (Published 2021) (2)](https://i0.wp.com/static01.nyt.com/images/2021/08/12/arts/12free-guy1/12free-guy1-articleLarge.jpg?quality=75&auto=webp&disable=upscale)
“Free Guy” is as agreeable as its main actor; Reynolds taps into his endless well of nice-guy charisma to deliver an adorable brand of humor that feels like “Deadpool” Lite. And the various comic-relief characters (Lil Rel Howery as Guy’s clueless best friend, Waititi as the toxic boss) and cameos (a priceless Channing Tatum and a Marvel surprise) make for a perfectly enjoyable experience.
But innovative? Not so much. Conceptually, “Free Guy” recalls a PG-13 version of “Westworld” (fewer stabbings, no sex). The interesting existential tidbits about agency, morality and artificial intelligence play second string to the straw-man argument about the baseness of consumerism. The jokes, too, feel neatly packaged; they’re sometimes funny, but never surprising.
It’s no spoiler to say that art wins over capitalism, the phoned-in romantic subplot is resolved and everyone’s happy in the end. “Free Guy” has charm, but there’s not much memorable in the same old quest, same old boss fight, then game over.
Free Guy
Rated PG-13. Running time: 1 hour 55 minutes. In theaters.
Maya Phillips is a critic at large. She is the author of the poetry collection “Erou” and “NERD: Adventures in Fandom From This Universe to the Multiverse,” forthcoming from Atria Books. More about Maya Phillips
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